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        <title><![CDATA[GLACA/PETER MOHAMED]]></title>
        <description><![CDATA[I AM THE ORIGINAL REVOLTA.
Leader and creator of Sweet Noise.
Current project - MTvoid with Justin Chancellor of Tool.
I make NOISE and experimental art - NOISE INC. 

Sovereign Human Being.

On NOSTR since 835520

#relaythat

Check my noise experimental project :

https://wavlake.com/noise-inc-]]></description>
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        <itunes:author><![CDATA[GLACA/PETER MOHAMED]]></itunes:author>
        <itunes:subtitle><![CDATA[I AM THE ORIGINAL REVOLTA.
Leader and creator of Sweet Noise.
Current project - MTvoid with Justin Chancellor of Tool.
I make NOISE and experimental art - NOISE INC. 

Sovereign Human Being.

On NOSTR since 835520

#relaythat

Check my noise experimental project :

https://wavlake.com/noise-inc-]]></itunes:subtitle>
        <itunes:type>episodic</itunes:type>
        <itunes:owner>
          <itunes:name><![CDATA[GLACA/PETER MOHAMED]]></itunes:name>
          <itunes:email><![CDATA[GLACA/PETER MOHAMED]]></itunes:email>
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      <pubDate>Wed, 01 May 2024 18:07:48 GMT</pubDate>
      <lastBuildDate>Wed, 01 May 2024 18:07:48 GMT</lastBuildDate>
      
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        <title><![CDATA[GLACA/PETER MOHAMED]]></title>
        <link>https://glaca.npub.pro/tag/noise/</link>
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      <title><![CDATA[Deep In Noise These Days.]]></title>
      <description><![CDATA[Deep In Noise These Days.

#noise #noiseart #noiseinc…]]></description>
             <itunes:subtitle><![CDATA[Deep In Noise These Days.

#noise #noiseart #noiseinc…]]></itunes:subtitle>
      <pubDate>Wed, 01 May 2024 18:07:48 GMT</pubDate>
      <link>https://glaca.npub.pro/post/note1388pq36j33mpc8956mvur8fclke6xe02fa8w6he7nee9etvy97fqdfk65x/</link>
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      <category>noise</category>
      
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      <dc:creator><![CDATA[GLACA/PETER MOHAMED]]></dc:creator>
      <content:encoded><![CDATA[<p>Deep In Noise These Days.<br><br><a href='/tag/noise/'>#noise</a> <a href='/tag/noiseart/'>#noiseart</a> <a href='/tag/noiseinc/'>#noiseinc</a>  </p>
]]></content:encoded>
      <itunes:author><![CDATA[GLACA/PETER MOHAMED]]></itunes:author>
      <itunes:summary><![CDATA[<p>Deep In Noise These Days.<br><br><a href='/tag/noise/'>#noise</a> <a href='/tag/noiseart/'>#noiseart</a> <a href='/tag/noiseinc/'>#noiseinc</a>  </p>
]]></itunes:summary>
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      <title><![CDATA[Gm #nostr]]></title>
      <description><![CDATA[Gm #nostr

#NOISE was always the ultimate art rebellion for me. The free form, non linearity and unpredictable character is what got me hooked. It turns out that this form of sound ages just like fine wine. It makes me think that may be more than sound itself, it's…]]></description>
             <itunes:subtitle><![CDATA[Gm #nostr

#NOISE was always the ultimate art rebellion for me. The free form, non linearity and unpredictable character is what got me hooked. It turns out that this form of sound ages just like fine wine. It makes me think that may be more than sound itself, it's…]]></itunes:subtitle>
      <pubDate>Mon, 15 Apr 2024 07:45:04 GMT</pubDate>
      <link>https://glaca.npub.pro/post/note1cxkt3mvey48vt6jjmkcy78z00a3vm69wmr84rnhslx80agxfdg5qkkxtyc/</link>
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      <category>nostr</category>
      
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      <dc:creator><![CDATA[GLACA/PETER MOHAMED]]></dc:creator>
      <content:encoded><![CDATA[<p>Gm <a href='/tag/nostr/'>#nostr</a><br><br><a href='/tag/noise/'>#NOISE</a> was always the ultimate art rebellion for me. The free form, non linearity and unpredictable character is what got me hooked. It turns out that this form of sound ages just like fine wine. It makes me think that may be more than sound itself, it's the "form" of linear songs that gets outdated?<br>I am digging through my catalog from 2007/08 and damn it still sounds on the edge.<br>Breaking away from traditional scales, tempo, grid, melody was the moment I stepped into the sound underground and found my passion that was so far away from "songs" and "hits" of mainstream.<br><br>GHOST.<br>DEATH SHALL HAVE NO DOMINION.<br><br><a href='/tag/noiseart/'>#noiseart</a> <a href='/tag/noiseinc/'>#noiseinc</a> <a href="https://image.nostr.build/a6ba4a3aa158a9577568ee0968347ec741101df057b134a368ff0e1a39e40efe.jpg" class="vbx-media" target="_blank"><img class="venobox" src="https://image.nostr.build/a6ba4a3aa158a9577568ee0968347ec741101df057b134a368ff0e1a39e40efe.jpg"></a> <a href="https://image.nostr.build/a2927c1258415328dcd740cf064ef92887fbdd11d46da59a885595c3cf610783.jpg" class="vbx-media" target="_blank"><img class="venobox" src="https://image.nostr.build/a2927c1258415328dcd740cf064ef92887fbdd11d46da59a885595c3cf610783.jpg"></a> </p>
]]></content:encoded>
      <itunes:author><![CDATA[GLACA/PETER MOHAMED]]></itunes:author>
      <itunes:summary><![CDATA[<p>Gm <a href='/tag/nostr/'>#nostr</a><br><br><a href='/tag/noise/'>#NOISE</a> was always the ultimate art rebellion for me. The free form, non linearity and unpredictable character is what got me hooked. It turns out that this form of sound ages just like fine wine. It makes me think that may be more than sound itself, it's the "form" of linear songs that gets outdated?<br>I am digging through my catalog from 2007/08 and damn it still sounds on the edge.<br>Breaking away from traditional scales, tempo, grid, melody was the moment I stepped into the sound underground and found my passion that was so far away from "songs" and "hits" of mainstream.<br><br>GHOST.<br>DEATH SHALL HAVE NO DOMINION.<br><br><a href='/tag/noiseart/'>#noiseart</a> <a href='/tag/noiseinc/'>#noiseinc</a> <a href="https://image.nostr.build/a6ba4a3aa158a9577568ee0968347ec741101df057b134a368ff0e1a39e40efe.jpg" class="vbx-media" target="_blank"><img class="venobox" src="https://image.nostr.build/a6ba4a3aa158a9577568ee0968347ec741101df057b134a368ff0e1a39e40efe.jpg"></a> <a href="https://image.nostr.build/a2927c1258415328dcd740cf064ef92887fbdd11d46da59a885595c3cf610783.jpg" class="vbx-media" target="_blank"><img class="venobox" src="https://image.nostr.build/a2927c1258415328dcd740cf064ef92887fbdd11d46da59a885595c3cf610783.jpg"></a> </p>
]]></itunes:summary>
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